Sunday, April 16, 2017

Storytelling Week 12: The Cook



The Cook


She had been the Inn’s cook since she was twelve, but she only was in the position because the Innkeeper burned his hands and could not find a replacement.

She was praised for being a good cook for the past five years now. Many rich people offered to buy her, but the innkeeper knew what he had and did not sell her.

Until one day a rich young man demanded to see her after his first bite of her stew.

She saw he was very rich indeed, when she walked out into the parlor to bow low and saw the rich, light wool covering his shoulders and the fine leather boots on his feet. However, the crown on his red, curly hair was evidence enough he was the King.

Her thoughts went rampant with worry – perhaps he did not like the stew. Her thoughts went from floggings to execution in a matter of moments. 

However, when the young King realized the cook was the girl in front of him, he beamed at her - his teeth big and white.

She was startled at the show of expression, and in her fit of nerves bowed even lower which caused the young King to raise his hand to halt her lowering.

The young King admitted he was surprised such a young girl was able to produce such savory flavors in a stew.

She told him she picked herbs from the forest and mixed them together to create the flavor.

He praised her for her cooking and in the same statement offered employment at his castle as his personal cook.

He also said she would be paid handsomely.

Well, she could not say no to the King.

*

Her King had become her friend rather quickly, although in private since the hierarchy of the court was not to be disturbed - not even by her King. 

She would slip him sweet treats, try new recipes and take notice of wines she would stumble upon at the market for him to later request at her private recommendation.

When it was announced her King was to be engaged to a younger woman within a fortnight, the Cook had a sinking feeling in her belly. A feeling of worthlessness and hollowness, but she brushed it away for her King’s well-being. 

They gossiped together before he married his wife, celebrated when his firstborn was a son, but the merry day turned into one of sorrow when his wife departed this world. 


She grieved for him. She grieved for his son. She comforted him with sweets and her companionship when he allowed himself to be comforted.

His demeanor had changed in the short time. He was not the young, carefree King he once was, but a solemn and quiet man.

Months later, they were in his chambers enjoying the warmth of the fire. They relinquished their titles of King and Cook while he read aloud and she cuddled his son, and, suddenly, he told her of his upcoming second marriage.

The same feeling from before his first marriage returned; a hollowness in her stomach and sharp prickling behind her eyes - though much stronger than the first time.

She held onto his son tighter and looked at the reddish wisps of hair on his soft head, and his sleepy blue eyes blinked lazily at her. She did not want to look at her King and let him see how sad and worried she was at his announcement.

She nodded and softly murmured, “A mother figure would be good for the Prince.”

The queen arrived in the castle and a darkness surrounded her. The cook was wary of this woman with black hair and pale eyes that watched all the on goings of the castle.

She mentioned the dark aura to her King; he waved her off telling her she was a jealous, suspicious spinster.

His words hurt and she saw the moment he realized how hurtful his words were to her. However, when he apologized for his harsh words, she simply bowed low, accepted the apology and walked away.

She no longer confessed her opinions to him after their discussion or anything for that matter.

When the Queen birthed a son, the Cook feared for the firstborn Prince.

The day came when the Queen found her alone with the ovens warming in the kitchen. The Queen grabbed her from behind and shoved her against the ovens while a vial was pushed under her nose.

The smell of carrots entered her nostrils – hemlock.  

The Queen’s pale eyes were wide and malicious as she demanded this be put in the firstborn Prince’s meal. The Queen’s raspy voice made the hairs stand on her flesh because she knew what hemlock would do to the young Prince’s body.

The Queen warned the Cook that if she were to tell anyone of the plan to murder the Prince, it would cost the Cook her life. She waited pressed up against the stove; the wood burning inside made the heat of the brick oven unbearable and made her skin burn. She waited until the dark woman disappeared with her fine wool dress.

She ran to the King.

She told him what the queen had planned. He did not believe her at first until she revealed to him the vial of hemlock given to her by the Queen.

The King’s face was in an array of emotion: shock, bewilderment, guilt, anger and then pure rage. He screamed at his guards to throw the Queen in the dungeons and to bring his firstborn to him. He did not shed tears, but his eyes were watery when he clutched his son to his body in a protective gesture.

He grasped her hand, his thumb caressing her knuckles, and thanked her for saving his son. Their companionship was restored to what it once was and she sat next to him at the dinner table – the social hierarchy be damned. 





(Poison Hemlock from Wikimedia Commons.)


Author's Note: This story was based on the beginning paragraphs of The Ridere of Riddles from the Celtic fairy tales. The main story is basically the same as the beginning I wrote in my story. The King marries a Queen, who then dies in childbirth, and then marries a second Queen, who gives birth to another son. This second Queen realizes her son will not rule the kingdom since he is the second son, so she devises a plan to poison the firstborn prince through the food the cook prepared him. The second born Prince overhears his mother's plan to poison his half-brother and tells his brother not to eat the food. What I did not understand from the story was why the Cook did not tell the King the queen was trying to murder his first son. Since my portfolio is based on strong women, I decided to play with the gender of the Cook. I also created a friendship between them and hinting at an unrequited love (or is it?), so the King would trust the Cook when she told him of the Queen's treachery. I also decided not to really include the second son and keep it between the King, the Queen and the Cook as well as keep the Princes as babies instead of fully grown adults.

More Celtic Fairy Tales by Joseph Jacobs (1895).

Monday, April 10, 2017

Reading Notes: More Celtic Fairy Tales, Part B

More Celtic Fairy Tales

(Ploughed field, Dundonald from geograph.)

The Farmer of Liddlesdale:
- I wonder why it was necessary to include that is wife and child died, is this to make us relate to him and create sympathy for him?
- "Only has much of the corn when it shall be dry as I can carry with me in one burden-withe." This is going to come back to haunt the Farmer.
- So the ploughman must be supernatural or something else that's NOT human, which means he'll most likely have super strength.
- "Then the corn spread over the field, and the ploughman went away in a white mist in the skies, and was seen no more." - I called it!

The Legend of Knockgrafton: Part I and II
- Envy is much a theme in Celtic stories, but I none of them really mention karma against those he who wronged the protagonist.
- NEVERMIND
- We immediately have sympathy for Lusmore, and know he is a kind soul.
- Singing within the moat, what an interesting description...
- ".. it was determined to bring the mortal among them whose musical skill so far exceeded theirs and little Lusmore was conveyed into their company with the eddying speed of a whirlwind." I am pleasantly surprised the fairies enjoyed Lusmore's singing - usually, if someone is better at an activity or has better luck then envy and hatred is thrust upon them. I like this twist!
- I find it funny how realistic it is that no one recognized Lusmore without his hump which reveals how shallow they are.
- "...up came an old woman to him, and asked him if he could direct her to Cappagh. 'I need give you no directions, my good woman,' said Lushmore, ' for this is Cappagh. And whom may you want here?'" I was so worried that he had done something to anger the fairies and they would cripple him again.
- I am also surprised and not, that Lusmore told his secret about the fairies.
- Usually when people tell others where they have been (supernaturally) then they are punished.
- "..who was peevish and cunning creature from his birth..." This is not going to go well for Jack Madden, I can already tell.
- Jack did not have much patience and got his 'reward' for badly interrupting the fairy music.

Elidore:
- I do not understand the reasoning behind mentioning his mother is a widow? Is this implying that the reason Elidore is such a fool is because he doesn't have a father figure in his life? That's ridiculous.
- "...Only this there curious about it, that the sun never shone and clouds were always over the sky, so that neither sun was seen by day, nor moon and stars at night." This is curious and there is no exclamation about why this is or am I missing it?
- They are Hobbits!
- I am surprised he is getting the best of both worlds, but I am sure it will not last long.
- Apparently, the yellow balls are very special to the Little Men.
- "... and though he searched again and again in the years to come, he could not get back to that fair country." This reminds me of Narnia.
- I am not sure I understand the ending.

How Cormac Mac Art went to Faery:
- "Cormac, so of Art, son of Conn of the Hundred Battle" Reminds me the Hobbit and Lord of the Rings with titles
- Nine apples of red creates the illusion of the forbidden fruit for me.
- I don't understand why Cormac did not ask what the youth wanted in return before agreeing to the trade.
- Dark magical mist sounds likes he is entering a different world.
- I actually thought the heads were actual human heads, so I laughed when I realized it was metaphorical.
- "There is meat; cook it for yourself." Cormac is a king! I did not expect that to happen, but this does confirm that he is not in a human world.
- They tell truths that should not be true, so they have to have magic in them or have magical cattle.
- I figured the events he saw before coming into the house were significant for a reason: they were lessons.
- So why did Manannan take away his family only to give them back? Was it to teach him a lesson? The tale never indicated why he would need a lesson..?

The Ridere of Riddles: Part I and II
- "Then it struck the queen that it was not her son who would come into the kingdom, and she set it before her that she would poison the eldest son." This is typical...
- I am very surprised no one told the guard or the King that the queen was wanting to poison his eldest. I mean the Cook would have been rewarded most likely if he had told the king the truth instead of following the queen.
- I am really surprised that they need more proof that this poison, is actually poison that they poison both their horses? Stupid.
- Their riddle is more of a trick question and that's why the King could not figure it out.
- How does someone have a wedding that lasts 366 days? That's a bit excessive.
- I was confused when the brothers started fighting, but then of course! They don't recognize each other somehow...? How? This story is full of plot holes.
- Wait, how did he get 12 sons?

More Celtic Fairy Tales by Joseph Jacobs (1895).

Reading Notes: More Celtic Fairy Tales, Part A

More Celtic Fairy Tales

(The Children of Lîr, A Book of Myths.jpg from Wikimedia Commons.)

The Fate of the Children of Lir: Part I, II and III
- He threw a temper tantrum.
- Dearg thought of a great way to combine the houses, plus ensure peace in the kingdom they had fought for.
- I was a little surprised Lir picked the oldest daughter, but their exact ages were never mentioned, so this girl could have been young anyway.
- And she died...
- I was getting the evil-stepmother vibe from Oifa, however, I was a little irked that 'her womanhood and her weakness prevented her...' Not that I wanted her to kill the children, but I did after the narrator decided she could not do something because of her gender. 
- I was also getting the swan princess vibe when she turned them into swans.
- "This she said because repentance seized her for the evil she had done." 
- I wondered why the children did not follow him back to his home or to the 'trial' they gave Oifa.
- I wonder what the significance is of how Fingula held her siblings, I wonder if it is a culture thing.
- Did the children not go to their father because they were cursed to stay on the lakes and rivers of the Erin? So they couldn't live anywhere else besides the water of Erin? Hmm.
- "...found all desolate and empty, with nothing but unroofed green rafts and forests of nettles-no house, no fire, no dwelling-place." This provides a nice picture!
- OH! They did not stay young, I was not expecting that ending. Not quite the Swan Princess ending I was expecting, but still entertaining. I wonder how Oifa saw the entire thing, I think it would be interesting to see her point of view.

The Vision of MacConglinney: Part I and II:
- In the beginning, I thought he was in it because it would ruin the kingdom. I was a little shocked when he wanted profit for helping King Cathal, but at the same time I wasn't too surprised.
- He is very smart and manipulative... I can't decide if I like this character or not. 
- Such a descriptive vision, it made me hungry reading it. 
- "The lawless beast that dwelt within the king, came forth until it was licking its lips outside its head." Oh, this gave me chills!
- Very smart, but I have decided I do not like MacConglinney 

Dream of Owen O'Mulready:
- I did not except him to be in the dream until Owen was told to go to America and send a letter. Because why would he give him a letter to send in the middle of the night? Why send him when they probably have a postal system in place?
- Plus the cow-boy was a bit interesting. I do not know if this is to be taken in the literally sense or that is what the boy's title is as a cow herder - I first took it literally because I assumed it was a dream and dreams are a bit wonky sometimes. 
- Flying on a crane is something I would like to include in my stories.
- I laughed when I read the last sentence: ' Owen came down off the rock and washed himself and from that out there was no envy on him ever to have a  dream again.' 

The Story of the McAndrew Family:
- I honestly did not enjoy this story, it just wasn't entertaining. I know this teaches a lesson (many in fact), but I just didn't enjoy it. 
- I was also surprised the people manipulated the brothers out of their wealth (besides their wives).

More Celtic Fairy Tales by Joseph Jacobs (1895). 

Tuesday, March 28, 2017

Reading Notes: Eskimo Folk Tales, Part A

Eskimo Folk-Tales


(Polar Bear from Wikimedia Commons.)

The Coming of Men, A Long, Long While Ago:
- The ancestors could not read or write, so they told stories (memorization), this could be 'magic'; the power of words 
- "Old women do not waste their words idly, and we believe what they say. Old age does not lie."
- "Hok - hok - hok!" Commanding dogs to come forth
- They lived in the dark.
- A FLOOD
- water was flammable, interesting - IDEA for STORY
- "Two old women began to speak thus: ' Better to be without day, if thus we may be without death,' said one."
- I WAS RIGHT - WORDS HAVE POWER
- Dead men become stars in the sky

Nukúnguasik, Who Escaped from the Tupilak:
- Wait, what is a Tupilak?
- "...nibbling at the body of the dead man."

The Woman Who Had a Bear as a Foster-Son:
- OLD WOMAN AND A BEAR, I love it already
- She spoke to it as a human and it gained the mindset of a human
- I liked this story. It was very heart warming.

Qalagánguasê, Wha Passed to the Land of Ghosts:
- Seaweed is not good for you, you'll definitely die if you eat it.
- Ghosts walk among the living, though they do not interact with the living. 
- Why did they mention he turned into a woman when he turned into a ghost?

Isigâligârssik:
- "This girl would like to have you."
- What does this wizard have against him?
- Yay, a happy ending.

The Insects that Wooed a Wifeless Man:
- A different type of people
- I'm a little confused on this story.
- I just imagine this grown man talking to these tiny insects

Makíte:
- this reminds me of Hansel and Gretel 

Atungait, Who Went A-Wandering:
- Kissing! Eskimo kisses!
- Interesting
- I was surprised he did not kill the man, but I admire that he did not kill him because he spoke to truth.

The Giant Dog:
- Clifford the big red dog, haha
- MMMMM, a story idea!


Eskimo Folk Tales by Knud Rasmussen with illustrations by native Eskimo artists (1921).