Showing posts with label Portfolio. Show all posts
Showing posts with label Portfolio. Show all posts

Sunday, April 30, 2017

Portfolio of Witches

My first story I wrote was about a witch and the following stories contain strong females characters whether they are good, bad or in between. Through this portfolio, I will provide what I think are my best (favorite) stories over the course of the semester.

Sunflower
She created this forest: created the elk, deer, bears, wolves and rabbits who roamed the trees; the birds who sang for her; the streams that cut through the earth; the foliage of every shade of green; the flavors of fruits and herbs. This forest was her garden and there was no one to share it with.

Mother Earth
A mistress to the earth and night rather than to men.

Gaho:
He danced and sang every moon month.

The Cook:
He praised her for her cooking and in the same statement offered employment at his castle as his personal cook. He also said she would be paid handsomely. Well, she could not say no to the King.

False:
Venus scowled at the girl from under thick brows; watched with no remorse when the girl hiccuped through her sobs as she fretted over her ruined silks, the shreds of her hair and hesitantly touched her shorn head.

Thursday, March 23, 2017

Storytelling Week 9: Gaho


Gaho


(Addie Billie wearing traditional Seminole beads and patch work from Web Source.)

The old woman was crinkled and impossibly fragile. Her skin loose and folds so deep and pronounced the old man had a hard time imagining what she looked like as a young woman. The fire, spitting and crackling, deepened the shadows on her face and cast an eerie orange and gold hue to the woman.

Old Mother, she was called by his people. Gaho. But she birthed no sons or daughters.

Her presence preoccupied the mountain cave above his village for many moons – too many moons to count. If there had been stories of her youth and beauty, then those stories died with his ancestors.

Although, there are stories of her kindness as well as her wrath - he depended on those stories depicting her kindness for he had grown old with no wife, no children, no wealth, no peace, and a wasted youth.

The fire illuminated only the spinster and the old man. He waited impatiently for her to speak for if you spoke before her, she would disappear into the smoke - or that is what the story told him.

Her eyelids were heavy with age and they dropped so low he could not tell if her eyes were open or not, but her bony hand gripped a stick to prod the fire to life. Sparks of embers shot up into the night air and he watched them float. When he looked back at the woman, her blind eyes were staring right at him.

His breath rattled in his old lungs, his tired heart stumbled, and he thought he would die if her milky eyes continued to burn his soul.

She finally ceased staring at him when she murmured with a cracked voice, “You come to ask for five wishes.”

“Yes, Gaho. Please grant me such wishes. For I was not born in wealth, and so, I wasted my youth in war as a general. I did not take a wife for none wanted me and I was never blessed with children of my blood.”

Her white eyes did not stray back to his form, but she huffed. The sound of old bones rattling as she breathed and moved.

“Rules must be followed. Five wishes deserve five dances and songs must be performed every moon month until you are ready to pass over.”

His heart wanted to beat out of his chest as he imagined himself living a life he would not waste.

Suddenly, a bony hand grabbed his wrist and pulled him toward the fire. He could smell his skin burn and blister. He opened his mouth to scream at the old woman and watched as her milky eyes brightened and then darkened again. Trapped in her gaze, he did not realize when the wrinkles melted away into firm and strong skin, when skimpy muscle turned big and brawny, his gray hair shed to reveal thick, black hair or his threadbare clothes to tighten and become strong leather.

He wept with appreciation and hope.

He left her mountain and went over the dances and songs in his mind until he returned to his village.

Peace came immediately to the village. He danced and sang for his five wishes when the moon month passed.

Wealth came in the form of crops and a leadership role a month. He danced and sang for his five wishes when the moon month passed.

His wife came into his life five days later. He danced and sang for his five wishes when the moon month passed.

Finally, his first child arrived after many moons of dancing and singing, and many more children arrived later.

He danced and sang every moon month.

His youthful appearance was later realized to be everlasting as his wife grew old and he did not, and his frustration and sorrow grew as his wife died and his first child soon after her.

He took many wives and had more children. The same ending happened. They grew old and died while he remained young.

It was not long before his frustration turned to action and he looked to war as his answer.

He danced and sang every moon month.

He won many battles and lost many men, but he continued to go to war. He found a certain comfort in its familiarity: the way the sword easily slipped into a man’s flimsy skin, the crush of the hard bone against his mallet and the spray of burning blood across his face.

He danced and sang every moon month.

Years passed until there were no more wives to tend to him and no more children carried his bloodline.

He danced and sang every moon month.

Until he was the old man again in everything but appearance.

He walked up the mountain and into Gaho’s home. He looked up with a tired body and mind and watched as the old woman stood from behind her fire - more fluidly than a woman of her age should, and walked toward him.

He was surprised yet not when her age slipped from her with every step she took.

When she came to stand in front of him, she watched him with clear brown eyes with thick, black hair nearly to her knees. Her regalia new and beautiful.

“Are you ready to pass?” She whispered quietly, her voice soft and gentle.

Listening to her voice made him compliant, lulling him to relax. He welcomed it and nodded his head once.

She nodded her head in answer and took his young, firm hands in her own.

The young man before her slowly morphed into the old man who came into this cave long ago.

He smiled at her and he finally closed his eyes to pass over.


Author's Note: I read the Pacific Northwest Native American unit this week. My story is a combination of theme's of the stories I read this week: How Silver-Fox Created the World, How the Beaver Stole Fire, How Dog Stole Fire and The Story of Ashish. I took many themes from the stories except for the inclusion of animals. The number five was a repetitive number in all the stories whether they were five trees or five roasts on the fire. I decided to take the use of the number five and include it in my story. There are five wishes in the story and I think they are realistic wishes for nearly any culture: youth, wealth, peace, wife and children. Fire is also a theme in the stories, so I used fire to transform the man into his younger version. In the stories, fire did not really behave like fire should. Animals touched fire without being burned. I thought my twist on the fire was interesting and I like how it transformed him as well.
Gaho means mother in Hopi, and I wanted to include the name simply because I like how it sounds. This also creates the assumption that Gaho has been around for a long time and is also the only name I provided. Even though the man is the protagonist in the story, he is only a blink of time in Gaho’s lifetime. The implication that this scenario has happened before is there, and if it is not obvious enough I will try and figure out how I can make that easier to read.

 Myths and Legends of the Pacific Northwest by Katharine Berry Judson (1910).






Sunday, February 26, 2017

Week 1 Story - Mother Earth

Mother Earth

“Mistress Mary” the townspeople called her.

There were many rumors swarming the young, beautiful lady: How could she afford to live in a mansion all on her own? How could she afford gowns of fine silk despite the style being out of date? How could someone with her beauty be all alone in such a grand mansion? How could she be alone in the bleak, cold country of northern England? Many concluded it was family inheritance or she was a young widow of a wealthy man.

“She must be a mistress of some important politician or fellow,” some whispered behind their liver-spotted hands whenever she walked through town. “Her strange accent must be why they hide her all the way up here. There are carriages always going to and from the mansion at odd hours.”

Mistress Mary, quite contrary,

The townspeople could not figure out how the young lady had come to be in possession of the most lavish mansion on the outskirts of town without some aid: "Her father’s estate perhaps?" or "A dead husband’s fortune?"

 The townspeople were also surprised no one had remarried her, if it was the latter.

Red, wavy hair framed a face with full, rosy cheeks. Full lips hid straight, white teeth that gleamed whenever she smiled, pale skin that glowed in sharp contrast to her deep, red hair. She had a small stature, with small fragile-looking hands clasped in front of her. Her eyes were what entranced the townspeople, nearly black irises with long, red eyelashes fanning her rosy cheeks.

The men would be entrapped in her gaze until she looked away.

The young women of the town envied her beauty - mainly for her ability to stop a man in his tracks with a single look. She was friendly to those who were friendly to her, and invited young ladies and mature women of town to her mansion to have tea in her garden.

Her garden also caused friendly envy from the ladies who attended tea gatherings. Lush and dense gardens such as Mary’s did not grow so far north. Women would ask for her secret; they would beg her to tell them how she kept her garden green and abundant.

“How does your garden grow?”

With cockle-shells and silver bells,” she would tease. “The seed comes from my homeland in the highlands, and time and patience allows my garden to thrive.”

The ladies softly laughed though disappointed with her answer. Despite her friendliness and her tea gatherings, the rumors still continued to weave their way into every house and alleyway. Her ears were accustomed to such rumors, though she did not pay them any mind.

Let them talk. She will provide the tea, feminine companionship and with pretty maids all in a row she will keep them blind to her earthly deceit. 

A mistress to the earth and night rather than to men.

Black eyes trap men while she whispers into their ears to entice their desires. Her voice calls to them in the night. The men come to her, they always come to find her in the garden. They always gladly walk into their deaths. 

She welcomes them in her arms, and then she feeds them to mother earth.

They are slowly consumed - unaware until it is too late to scream. She watches the earth as it swallows men piece by piece.

Mary knows how to play the game of innocence. She knows how to play the companion to the young ladies who are married to men - men who can publicly condemn a woman’s life while some of their cruel wives whisper in their ears.

She has walked this earth for centuries; surviving the violence of humans has become second nature. She has seen her sisters burn at the stake because of cruel and jealous women – their screams haunt her in the silent night.

Her Mother had abandoned her garden many centuries ago. She left ashamed and full of sorrow as hatred slowly poisoned her creation.

As the earth finally finishes its fleshy meal, she smiles.


She will purify the earth, and it will become a garden once more.


(Creepy-witch: Bizarro Central)


Author's Note. The nursery rhyme "Mistress Mary" has religious and historical implications. The short rhyme is only four lines and can be found within the story above in italics. There are many theories about this rhyme, but the one I took influence from was about Mary, Queen of Scots. The garden represents her kingdom, cockle-shells represents her husband's unfaithfulness, the silver bells symbolizes the church, and the pretty maids are Mary's ladies-in-waiting. When I first read the rhyme's last line, I immediately thought of a horror theme. If my writing was too ambiguous: Mary is a witch in a town in Northern England and she has been around for a very long time. She is a very beautiful Scots women with red hair. In medieval times, red hair was a symbol for witches. She befriends the women because she knows that it could be dangerous not to since they hold sway over their husbands. During the witch trials, the theory is that men on the jury had wives who were jealous of or disliked certain individuals and had them prosecuted and/or executed as witches. My Mistress Mary befriends them because she has been around long enough to know creating companionship with these women is beneficial for her. When a man goes missing, there are no thoughts she could have been a part of the disappearance because of her small and weak-looking stature. The earth does eat the men which is the reason her garden is lush and thriving, and why she is still youthful.

Also, can anyone guess who Mother is? 

Bibliography. "Mistress Mary" from The Nursery Rhyme Book by Andrew Lang. Web Source